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With eight pristine class A Focusrite mic pre' s, eight compressor/limiters, and almost all the interface options known to man, OctoPre is the perfect partner for any Digital audio workstation, making high quality, multi-channel recording (e.g.. Drums and synths) easy. Equally, it can be utilized as an instant location recording solution (as part of an ultra-compact 8-channel system with a laptop) or as an additional set of pre amps for any analogue or digital console or hard disk recorder. Each channel boasts the award-winning pre amp featured in VoiceMaster PRO, alongside a revolutionary dynamics circuit, ensuring transparency and warmth with total control. The first two 'Super channels' also feature phase reverse, as well as TRS Jack inputs on the front fascia for quick and easy, DI-free plug-in. Finally, the high quality digital converter options cover almost every interfacing eventuality. Up to sixteen digital outputs can run simultaneously with any mix of analogue outputs, and all the settings are adjustable, directly from the front fascia. With this entire package fitting into a single 1U chassis, OctoPre sets the standard for multi-channel recording solutions. Class A Pre Amp Revolutionary Dynamics Control Two independent sidechain control circuits are used for each channel of dynamics, one for limiting and one for compression. The limiter and compressor sidechains each generate two separate control signals, one fast and one slow, that are then fed to the gain change elements in the audio path. The gain control elements consist of a pair of custom Optos, which follow a crossover network that splits the audio into two bands, "high" and "low". The fast sidechain drives the high frequency opto, while the slow sidechain drives the low frequency opto. This process ensures less distortion when the limiter is reacting to very fast transients. By splitting the response, only the high frequency section of the waveform is drastically affected, reducing inter-modulation distortion, and therefore non-related harmonics, providing a far more musical effect. In addition, both the sidechains operate as feedback systems. Thus, the amount of compression and limiting is calculated using the level after the split opto stage. The advantage of this feedback system is that the limiter senses the level after compression has been applied and therefore the limiter only works when it absolutely has to. The dynamics control also introduces an additional make-up gain, balancing the level change caused by compression. This auto make-up gain ensures the output level to the A/D remains constant while further compression is applied. Consequently, any input levels already set will not require any further adjustment during dynamics set-up. Only one dial, but all the control, providing the quickest route to a warm, controlled, yet entirely musical signal. All the excitement and all the control without compromise. Super Channels Optional Digital Interface Expansion Octo-AD: ADAT outputs
only - 8 channels of ADAT lightpipe (up to 96kHz) An external Wordclock input is also provided (BNC connector). The AES/EBU or S/PDIF format outputs can run simultaneously with the lightpipe outputs, giving up to 16 digital outputs at all sample rates. Features
Rear Panel Connections
Click to view: Specifications Dimension: 18.91" W x 1.73" H x 10.44" D, 1U Focusrite | ComPounder | OctoPre | OctoPre LE | TT Pro | VM Pro | TM Pro |